Thisearly70'sgiallobyUmbertoLenziiscertainlyamongthebestinhisfilmographyandalsointhewholegenre.PersonallyIthinkLenzi'sbestfilmsarethefunnycartoon-turned-filmKriminal,thestylishgialloSevenBlood-StainedOrchids,theexplosiveNapoliviolentaandthis.IntheeightieshedidplentyoffilmtrashinformofEatenAlive,HitcherintheDarkorBlackDemons,allofwhicharerippingsomethingoffand/orverydullandslowmoving.KnifeofIcecamewhenthegialloboomwasatitshottestandtheresultisconvincing.
Technicallythefilmissuperb,containinggreatcinematographyinthebeginningwhenwelearnaboutthemaincharacter'straumatowardstrains.Fromthispointon,Lenzishowsushisabilitytobenefitthewidescreenand,forexample,thebicyclerideneartheforestisgenuinelybeautiful!ThisscenealsoshowsLenzi'sabilitytobuildsuspense,veryslowlybutmeaningfully.Afterall,therearen'tsomanymurdersinthewholefilm,onlythesuspensecirculatingaroundthemurderer'sidentity.
Onesuspectisadevilworshipperwhichbringsnewaspectstothemystery.Sincethefinalscenetakesplaceinachurch,onecanwonderifLenziwantedtocommentonsomething,maybethehypocriticalmoraleofchurchandsuperstition.Themaincharacter(CarrolBaker)ismutewhichdemandsalotfromherfaceandeyes.Theactressworksverywell,givingusabelievableperformancecirculatingaroundtheemotionsoffearandmentalpain.Theotheractorsaregood,too.Thefinally,however,maynotgivetoopositiveasightaboutfemalesexsincetheyallareexpressedrathernegativelyinthefilm,onewayoranother.Stillthisiseasilyamongthemostnoteworthyinthegenre,notasbloodyastheArgentofilms,forexample,butequallysuspensefulandvisuallyalsointeresting.
刘谊,黄梓城,王乙竹,李克纯
凯拉·奈特莉,马修·古迪,罗曼·格里芬·戴维斯,莉莉-罗丝·德普,安娜贝拉·沃丽丝,露茜·彭奇,柯尔比·豪威尔-巴普蒂斯特,索佩·迪瑞苏,楚蒂·斯泰勒,霍莉·艾尔德,鲁弗斯·琼斯,吉尔比·格里芬·戴维斯,哈迪·格里芬·戴维斯,Dora Davis,Davida McKenzie
林瑞阳,郑宜芬
金巧巧,刘世龙,陈冠达,陈致宇,王馨慧子
张智霖,陈乔恩,佘诗曼,薛家燕,唐文龙,马海伦,郑欣宜,林颖彤
索菲娅·奥特罗,帕特里夏·洛佩斯·阿奈斯,安·加巴拉因,马切洛·卢比奥,伊兹亚尔·拉兹卡诺,萨拉·科萨尔