When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.
Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.
Pablo Dacal,Gustavo Semmartin,Julio Sleiman,Muhammad Habbibi Guerra
松冈茉优,洼田正孝,池松壮亮,若叶龙也,佐藤浩市,仲野太贺,趣里,高良健吾,Megumi,三浦贵大,芹泽兴人,笠原秀幸,若林时英,鹤见辰吾,北村有起哉,中野英雄,益冈彻,大鹰明良,佐藤贡三,佐藤贡三 Kôzô Satô,遠山泰市,薮内大河,中野裕斗,中野裕斗 Yuto Nakano,巻島みのり,稻川实代子,稻川实代子 Miyoko Inagawa,前田勝,佐野弘樹,鳥井雄人,野田昌志,二見悠,古川一博,岭豪一,岭豪一 Gôichi Mine,川村纱也,田中美晴,持田加奈子,内海诚子,内海诚子 Seiko
孙政,雅慧,程旭辉,俞宏荣,黄超群,林昀憓,翁璇
李淳元,徐荣柱,金秀珍,姜爱信
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河合优实,小野莉奈,小宫山莉渚,中井友望,洼冢爱流,佐藤绯美,宇佐卓真,藤原季节